Chapter 102
Epos Street, the cultural heart of Isilia.
The creed of Epos was: ‘We do not fear being different. When something new is born, we shall celebrate its birth.’
This place, Epos Street, was born out of Isilia’s policy of emphasizing harmony with other nations.
The policy was a massive success, and even now, many artists were showcasing their crafts along the street.
Ting!
A bard played a lyre, singing songs in praise of heroes.
A painter sat on the street, working on a portrait of a woman.
But the place overflowing with the most vitality was the theater.
Some praised plays as the flower or the finale of Epos Street.
This was because it was easy for the public to watch and form a sense of empathy together, and it integrated all elements such as painting and music.
In particular, the Glick Theater Company, which was established here, was gaining popularity by putting on a series of plays with intriguing content.
The play the Glick Theater Company had prepared this time was .
The protagonist of the play was Catherine, an actress who had long been loved by the public.
Behind the stage.
“I am the assassin who held a blade to your throat. So why did you pretend not to know me that day?”
There, a girl with navy-blue hair was reading the script.
‘No, Catherine. This is just reciting lines. I need to put more emotion into it.’
She realized she needed to be more persuasive.
“Sigh.”
Despite her understanding, her lines and actions didn’t come out as she wanted, causing her to let out an involuntary sigh.
